电影《搜索》热映，片中，老戏骨王学圻突破形象塑造了“痞雅”的中年富商“沈流舒”，虽然时逢姚晨转型、“又圆恋”正热，但从《梅兰芳》到《赵氏孤儿》再到《搜索》，王学圻一直都是陈凯歌电影中的“定海神针”。7月8日，本报电话采访了王学圻，他却怀着一颗不“争”的心，称要把更多机会让给年轻人。

The movie《search》Reflect the heat，film，This old play bone WangXueQi breakthrough image“Of new”Middle-aged rich merchant“ShenLiu comfortable”，Although this is YaoChen transformation、“And round,”Is hot，But from《Mei lanfang》to《Weak orphans》to《search》，WangXueQi is always in the movie Chen kaige“Dinghai an anchor back there”。July 8,，Our telephone interviews with WangXueQi，He was with a no“for”heart，Say to put more opportunities to young people。

“我过了和年轻演员‘争’的年龄” “I had and young actor‘for’age”

　　记者：戏中您与陈红扮演夫妇，有没有好玩的花絮？

reporter：Play with you play yan couples，Have fun in the programme？

　　王学圻：陈红是《搜索》的制片人，剧组所有的事情她都要照顾到。在我们等戏的时候，她会跟道具组交代：“注意那个灯，别倒了。”而这时凯歌导演就在对讲机里说：“陈红、陈红，你安心演戏。”既做演员又当“管家”，她很不容易。

WangXueQi：Yan is《search》producer，Cast all of the things she would take care of。In such as we play，She would tell props explaination：“Note that light，Don't fall。”And at this moment the song in the radio director said：“yan、yan，You at ease acting。”Both an actor and when“steward”，She is not easy to。

　　记者：姚晨转型和“又圆恋”都是片中热点，您会介意被边缘化吗？

reporter：YaoChen transformation and“And round,”Are the hot spots，Would you mind being marginalized？

　　王学圻：以年轻角度切入，是希望刺激票房更上一层楼，这种宣传策略也起到了作用。说句良心话，在我在意的年龄，无论是机会、名利，陈凯歌导演已经给了我很多，但这些年轻人都是第一次和凯歌导演合作，他们需要这样的机会，被认识、被认可。我这个年龄，不该与他们争什么。

WangXueQi：With young perspective，To boost ticket is better，The propaganda strategy also play a role。Say a conscience words，In my mind's age，Both opportunities、Fame and wealth，Director Chen kaige has given me a lot，But these young people are the first and song of the director cooperation，They need such an opportunity，Be recognized、recognized。I this age，And they shouldn't dispute??????。

　　记者：《梅兰芳》《十月围城》宣传时您不是“主打”，但最后得奖最多的都是您，希望《搜索》给自己带来什么奖项？

reporter：《Mei lanfang》《October and》When you are not propaganda“main”，But in the end the prize of the most is you，hope《search》Bring you what awards？

　　王学圻：有人发现我身上有个“海报现象”：《十月围城》和《梅兰芳》当时的宣传海报找不到我，但最后奖杯找到了我。其实“主不主打，得不得奖”都没关系，只要你的付出受到关注，你的表演得到认可，这就值了。

WangXueQi：Someone found my body have a“Posters phenomenon”：《October and》and《Mei lanfang》At the time, the poster can't find me，But the last trophy find me。In fact“The Lord advocate dozen not，Not award”Doesn't matter，As long as you pay attention，Your performance recognition，It is worth。

陈凯歌导演不想让我重复过去 Chen kaige director don't want me to repeat the past

　　记者：与陈凯歌合作多次，再度合作还有新鲜感吗？

reporter：Chen kaige cooperation with many times，Cooperation and freshness again？

　　王学圻：从《梅兰芳》中的老戏骨十三燕到《搜索》中“得瑟”的沈流舒，他们都是不搭嘎的人，凯歌导演不想让我重复过去，他相信能在我身上找到与角色的契合点，所以我也在不断探索新的可能，通过改变表演习惯等方式来创造出崭新的角色。

WangXueQi：from《Mei lanfang》In this old play 13 yan to bone《search》in“Have to harp”ShenLiu of shu，They are not take a honk，Song of the director don't want me to repeat the past，He believes that can find them in my role and sides，So I also continues to explore new possible，By changing the performance such as the habit to create a new way of the role。

　　记者：不管戏份多寡，您始终是陈凯歌导演作品中“定海神针”，对此您怎么看？

reporter：No matter how part，You have been a director Chen kaige works“Dinghai an anchor back there”，How do you see this？

　　王学圻：“定海神针”这个评价缘起《十月围城》。吴宇森曾说，“如果这个片子没有你参与，就是一个普通且浮躁的片子。”但因为我的加入，《十月围城》有了文艺片的气息，它被“定”住了，所以“定海神针”这词就出现了。我觉得这可能是我年龄比较大、阅历比较丰富的原因。而我与凯歌导演合作的机会很多，他或多或少会将片中厚重的部分放在我身上，逐渐推动故事发展，所以大家才称我为“定海神针”吧。

WangXueQi：“Dinghai an anchor back there”The origin of the evaluation《October and》。John woo said，“If the film no you participate in，Is a common and blundering film。”But because my to join，《October and》A literary piece of breath，It is“set”lived，so“Dinghai an anchor back there”This word appear。I think this is my age is larger、Experience is the cause of the rich。And I and song of the director opportunities with many，He is more or less will thick film parts in my body，Gradually push story development，So everybody just call me“Dinghai an anchor back there”it。

　　本报记者 王秒

Our reporter king seconds