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彭浩翔批华语电影有故事没主题:偏重堆砌的倾向--亲稳网络舆情监控室
2012-07-27

  昨日,美国编剧工会终身会员威廉·M·埃克斯与编剧史航、中国香港导演彭浩翔进行“编剧训练营”微访谈。说到好莱坞比较常见的团队创作剧本,彭浩翔说,他不相信一个编剧团队会超过三个人,因为这样会引起责任太分散的问题,影片也会偏于大众化而失去个性价值;史航也认为,“大多数人参与进来,分工序润色,如果认知不同,灵感会被对方当错别字改掉,最后未必是好喝的鸡尾酒”。有网友问,“国内的电影最大软肋是不是缺乏讲故事的能力”,彭浩翔指出,是故事有,没主题,偏重堆砌的倾向。记者李芳明

yesterday,The writers guild of America life member William M · ella and screenwriter alex ShiHang、Hong Kong, China PengHaoXiang director“Writers training camp”Micro interview。Said to Hollywood more common team write screenplays,PengHaoXiang said,He did not believe a screenwriter team will more than three people,Because this will cause responsibility too scattered,The film will also tends to lose individual value popularization;ShiHang also think,“Most people involved,Sequence polish division,If different cognitive,Inspiration is the other party when wrong character change,The last is not necessarily a good cocktail”。Queried about,“The biggest domestic film is soft rib of the ability of the story”,PengHaoXiang points out that,Is the story of a,No theme,Lay particular stress on the tendency of stack。Reporter LiFangMing


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