法国首部有关未来的惊悚电影《太空一号》昨起在国内公映。作为监制的吕克·贝松是该片最大的招牌。吕克·贝松因为《这个杀手不太冷》、《第五元素》等作品而享誉世界影坛。由他监制的票房大片也不少，《太空一号》是继《换命快递》、《血色月亮》、《魅影杀机》后，吕克·贝松监制的又一部动作大片，而且也是他首部关于未来太空的惊悚电影。《太空一号》之前宣传时便号称是“太空版”的《飓风营救》，巧的是女主角也正是起用的《飓风营救》里饰演连姆·尼森女儿的玛姬·格蕾斯。男主角则是好莱坞硬派型男盖·皮尔斯和北欧演员彼得·斯特曼，中国观众非常熟悉的《越狱》中霸气的老大。

The French first thriller movie-about the future《Space a number》Yesterday in the domestic opened up。As the producer of the film BeiSong luc is the biggest signs。Luc BeiSong because《The killer is not too cold》、《The fifth element》And so on the work and reputation world cinema。Passing by him of box-office hits, no less，《Space a number》Is the《Change life express》、《Redness of the moon》、《Dangers in the phantom》after，Luc BeiSong passing and a big action movies，And it is his first about the future of space scary movies。《Space a number》When it is called before propaganda“Space version”of《Hurricane rescue》，It happened that the heroine is also the waster《Hurricane rescue》Even as he's daughter Nichols of maggie · grace。Male leading role is Hollywood hard sent the patron saint cover Pierce and northern Europe, actor Peter goodman，China is very familiar with the audience《Prison break》The dominance of the boss。

　　《太空一号》讲述一个男人被误判间谍罪，他有一个重获自由的机会，条件是从被暴徒们控制的外太空的监狱中救出总统的女儿。虽然这是法国首部有关未来的惊悚电影，但出人意料的是，《太空一号》加进了不少喜剧元素，其喜剧效果和年轻观众至今都很喜欢的上世纪80年代的《虎胆龙威》这类动作电影有相似之处，动作片的“喜剧”感就怕为让你发笑而硬做一些有趣动作，为搞笑而搞笑，《太空一号》的法式幽默倒是将喜剧与剧情的配比做得恰到好处，不淹也不突。

《Space a number》Tells about a man wrongly spying，He has a free of opportunities，Conditions were thugs in the control from outer space of the rescue of the President's daughter in the prison。Although this is the first movie thriller about the future，But unexpectedly，《Space a number》Added a lot of comedy elements，The comedy and the young audience so far have very like the 1980 s《Die hard》This kind of action films have in common，Action movies“comedy”Feeling afraid to make you laugh and hard to do some interesting action，For funny and funny，《Space a number》French humor is comedy and the plot ratio will be done to a turn，Don't drown also not sudden。

　　和太空有关，就要看特技了。影片大约有500个电脑特技镜头，主角如何从空中跌入地球，以及太空电单车的追逐场面，都相当炫目。不少影迷仍对《第五元素》中未来城市设计的经典桥段印象深刻。而在《太空一号》中，免不了一场太空监狱恶斗，“星际监狱”中的各种高科技监视、关押手段，不仅是超炫特效，还从另一个层面展现了吕克·贝松对2079年高科技的想象，这无疑是他科幻片路上的又一次超越尝试。

And space on，Will see stunt。The film has about 500 computer special effects lens，Leading role from the sky fell into the earth how，Electric bikes and space of chase scenes，Are glaring。A lot of fans still《The fifth element》The future of urban design classical impression on the bridge。And in《Space a number》in，Avoid a space prison grim struggle，“Interstellar prison”The various high-tech surveillance、Held means，Not only is beyond outrageous special effects，Also from another level showed luc BeiSong to 2079 high-tech imagination，This is certainly his science fiction of the way and a passing attempt。

　　吕克·贝松是一个多元发展的导演，他拍摄的动画片《亚瑟和他的迷你王国》在中国上映时，他来到北京，针对中国导演以进好莱坞，和好莱坞合作为荣耀的标准，那时他就亮出自己的观点，虽然他的电影越来越好莱坞化，但是，吕克·贝松一直坚持拒绝到好莱坞拍电影。因为他认为好莱坞电影体系对外国导演而言根本没有自由，不能拍出他们真正想拍的片子。欧洲导演应该拍欧洲特色电影，而中国导演要坚持中国特色，这才是最好的。

Luc BeiSong is a diversified development director，He shot of the cartoons《Arthur and his miniature kingdom》Released in China，He came to Beijing，According to Chinese director to enter into the Hollywood，And for the glory of the standard Hollywood cooperation，Then he reveals his point of view，Although his movies more and more of Hollywood，but，Luc BeiSong refused to Hollywood has always insisted on the film。Because he think Hollywood movie to foreign director in system no freedom，Can not make they really want to make films。European director should take European movies，And Chinese director stick to the Chinese characteristic，This is the best。

　　吕克·贝松不进好莱坞，就已被好莱坞同化了。《太空一号》已经看不出是“好莱坞”还是“欧洲”了，看来这个不进好莱坞的欧洲导演，已经在法国创作出一个自己的“好莱坞”，并在这个独立王国里，自己坐上了老大的位置。

Luc BeiSong not into Hollywood，It has been Hollywood assimilation。《Space a number》Already could not be detected“Hollywood”or“Europe”the，It appears that the not into the Hollywood European director，In France has created one of your own“Hollywood”，And in the independent kingdom，His sits at the eldest brother position。