《北京青年》引发教育反思 《Beijing youth》Cause education reflection

　　

知识，能力 谁长谁短？ knowledge，Ability who long who short？

　　俗话说，三句话不离本行。但导演赵宝刚接受采访时却总能跳脱出剧本本身，而聊到相关社会话题。赵导新作《北京青年》正在北京卫视以及优酷、乐视等同步热播：青年人身上普遍存在哪些问题？是什么原因造成了“有知识者多，有能力者少；空有想法的多，付诸实施的少；怨天尤人者多，自我检讨者少”？对于同样的话题，结合中国教育的现状和问题，21世纪教育研究院副院长熊丙奇在接受记者专访时发表了看法。

As the saying goes，Talk shop。But the director ZhaoBaoGang interviews are always can jump disengage the script itself，And talk to the relevant social topics。Zhao guide new《Beijing youth》Is Beijing TV and youku、Joy depending on the synchronous hits：Young people, what problem exists？What reason is caused“Some have more than，Who has the ability to less；Empty have more ideas，Into practice less；Complain a，Self review is less”？For the same topic，In combination with the Chinese education present situation and problem，The 21st century education institute, vice President of the XiongBingJi when accepting a reporter to interview published opinions。

　　

100元过7天 100 yuan after 7 days

　　

会不会生存成问题？ Will not survive a problem？

　　中国的教育向来是重知识轻能力，以《北京青年》中的生存体验为例，哥儿四个初到烟台，人生地不熟，大哥何东提供每人100元/周的生活费，鼓励大家去挣钱，哥儿四个如何挨过？之所以设置这段情节，赵宝刚想表达的是，“有文化(指知识)、无能力的人无法在社会上生存得很好；反之则是有可能的；二者兼而有之最好不过。为此，优酷还特别推出了“生存大挑战100元活一周”活动，很多网友留言，这个数字少到突破自己的底线。

China's education has always been a heavy light knowledge ability，to《Beijing youth》The existence experience as an example，A four first arrived in yantai，Are total strangers，Eldest brother HeDong provide RMB 100 per/weeks of living expenses，Encourage everyone to earn money，A four how to get？Is set this episode，ZhaoBaoGang want to express is，“culture(Refers to the knowledge)、Incapable of people can't live on in society is very good；Otherwise, it is possible；But both the best。therefore，Youku also specially introduced“Survival challenge 100 yuan a week to live”activities，Many netizens message，The digital less to break through their own bottom line。

　　试想，当你出去找工作时，你和他人连最基本的沟通交流能力都没有，你怎么生存？事实上，因第一印象欠佳在应聘时被拒的例子数不胜数，纵有一肚子学问，无奈茶壶里煮饺子倒不出来，口才、交流、谈吐等都属于能力范畴。

Just think，When you go out looking for a job，You and others even the most basic communication abilities have no，How do you survive？In fact，Because of poor first impression in candidates rejected numerous examples，Longitudinal is full of knowledge，But the teapot boiled dumplings don't come out，eloquence、communication、Talk and so on all belong to the category of ability。

　　熊丙奇直言，国内教育重知识轻能力的问题由来已久，“有知识无文化的现象跟基础教育有关系。中国的孩子从小就只关注知识学习，不关注能力培养。只关注分数的高低，掌握知识的目的是为了升学，忽视了提高能力和素质。这种残缺的教育导致了孩子们的学习、观察、表达、沟通等能力都有问题，人格教育、公民教育、道德教育等均有所欠缺。”

XiongBingJi the truth，Domestic education heavy knowledge light ability has problems，“Knowledge without cultural phenomenon with basic education have relations。China's the child just focus on knowledge，Don't focus on ability training。Only pay attention to the score height，Knowledge of the purpose is to study，Ignore the improve the ability and quality。This kind of incomplete education led to the children's learning、observation、expression、Communication ability have a problem，Personality education、Citizen education、The moral education is in, etc。”

　　

温水煮青蛙 Warm water boiled frog

　　

能不能早点“爬”出来？ Can't the breakfast“climb”out？

　　何东在“重走青春路”之前，厌恶自己的工作，但缺乏足够的勇气重新开始，一度犹豫彷徨，蹉跎度日。后因被女友权筝(马苏饰)的一句“你就是没断奶的孩子，永远也不可能重新上路”的话刺激到，才终下决心。生活中随处可见上路前的“何东式”年轻人，对现状不太满意，却安于“温水煮青蛙”的状态。对于这类年轻人，赵宝刚说能力尚欠缺，心态需调整，“现在对生活的怨恨和困难，归根结底都是因为能力不足造成的，再加上不正确的心态在作祟。假设你的心态改变的话，处理问题的方式是不同的。”

HeDong in“ChongZou youth road”before，Hate his own work，But the lack of enough courage to start again，Once hesitant fluctuating，Waste spend。Because the girlfriend right after zheng(MaSuShi)sentence“You just can't weaned child，Can never be on our way”Words to stimulate，Determined to end。Life can be seen everywhere in front of the road“HeDongShi”Young people，Not satisfied with the current situation，But be content with“Warm water boiled frog”state。To this kind of young people，ZhaoBaoGang said ability is still lacking，Mentality we need to adjust，“Now on the life of resentment and difficult，In the final analysis because of inadequate ability，Plus not correct the mentality of the haunt。Assume that your heart state change words，Dealing with problems way is different。”

　　从教育学的角度，熊丙奇更加确切地指出，以上现象是年轻人缺乏责任心的问题。“中国的孩子受到的都是包办教育，从小到大什么事儿都是父母安排好的，他会认为是在为父母而学，为父母而工作，没有自主性，缺乏动力和激情。找到一份工作，不一定是自己喜欢的；当找不到工作时，就会自然而然地啃老。”

From the Angle of pedagogy，XiongBingJi pointed out that more exactly，Above phenomenon is young people lack of sense of responsibility of the problem。“Chinese children are arranged by education，Since the childhood what is it all is the parents arrange good，He will be considered for parents and learn，For parents and work，No autonomy，Lack of power and passion。Find a job，Not necessarily is their favorite；When can't find work，Will naturally chew old。”

　　

做职业规划 Do career planning

　　

该不该趁着30岁之前？ This shouldn't be under the cover of 30 years old？

　　中国的孩子对这句励志格言再熟悉不过：树立远大的理想，并为之而艰苦奋斗。虽然在《北京青年》中没有明确就“人从小应不应该有理想，什么年龄应该树立理想等”进行探讨，但赵宝刚试图通过该剧传达出：人30岁之前不要有特别具体的理想或目标，否则你就在最应该走一走、闯一闯的年龄段为未来的欲望买单。赵宝刚甚至直言，过早地树立理想是件特别害人的事儿，他最听不得某某青年创业终获成功的故事，“他如果在毕业时先看一看，当能量积攒到一定程度时再去创业，至少会少走五六年的弯路；或许他会发现自己根本不适合创业。”

China's children to this other inspirational motto to familiar with：Set up the lofty ideal，And while the arduous struggle。Although the《Beijing youth》There is no clear in it“People should have the ideal since childhood，What age should set up the ideal, etc.”Is discussed，But ZhaoBaoGang trying to convey the play：Before the age of 30 people don't have special concrete ideal or goal，Otherwise you are most should take a walk、Ran a rush for the future of the ages of the desire。ZhaoBaoGang even the truth，Prematurely set up ideal is a special Greek business，His most TingBuDe so-and-so youth entrepreneurship final success story，“If he graduated in first take a look at，When energy accumulate to a certain degree to venture，At least five or six years go less pains；Perhaps he will find himself was not at all suitable for entrepreneurship。”

　　熊丙奇对此看法不同，“不是说不要树立理想，而是‘没有目标、没有理想、没有规划’，这个才是现在年轻人最大的问题。我倒是建议年轻人设立有弹性的目标，就是可以根据自己的条件、个性、能力、兴趣爱好等及时调整。或许有的年轻人家庭经济条件不允许他闲暇度日，必须马上找份稳定的工作帮父母分担。职业规划、人生目标等要根据个人情况具体制定，没必要倡导同一个模式。”

This XiongBingJi different views，“Not to say don't set up ideal，but‘Without an aim、Without ideal、No planning’，This is now the biggest problem of young people。I'd suggest young people set up flexible goal，Is can according to their own conditions、personality、ability、Hobbies and adjust。Perhaps some young people family economic condition does not allow him to live free，Must be immediately find a stable job to help parents share。Career planning、Life goal, etc according to individual circumstance is specific to make，No need to advocate the same pattern。”

　　晨报记者 冯遐

Morning paper reporter FengXia

　　

《北京青年》收官 “青春三部曲” 《Beijing youth》10/10/08 “Youth trilogy”

　　

话题，剧情 孰轻孰重？ topic，Of the degrees earned in the plot？

　　从《奋斗》开始，导演赵宝刚一直在挖掘青春题材，不断地打造他所看重的文化影响力。《我的青春谁做主》、《婚姻保卫战》等都是加分之作，直到去年的《男人帮》一下子让赵宝刚站在了“坑边上”，形式之“新”和内容之“飞”一时很难让观众接受，也让“赵宝刚”这块金字招牌的纯度打了折扣。《北京青年》承载着要打翻身仗的重任，目前在北京、东方等卫视以及优酷、乐视等同步播出过半。整体风格没那么时尚，没那么花哨，台词没那么出彩儿，但凭借“青春重新走一回”的概念就足够引发热议。“这次是有意识落地了，虽然又有人说，这是赵宝刚的剧吗？怎么风格大变了呢？但这么多年来没变的是‘责任感’，我不会去拍一些无聊的雷剧，神剧。”赵宝刚无奈中夹杂着自豪。

from《struggle》Began to，The director ZhaoBaoGang have been digging youth theme，Constantly make his value of cultural influence。《My youth who family》、《Marriage resistance》Is work for，Until last year's《To help men》Suddenly let ZhaoBaoGang stood in the“Pit edge”，Forms of“The new”And content of“fly”At that time it is difficult to let the audience to accept，Also let“ZhaoBaoGang”The purity of the gold-lettered signboard played discount。《Beijing youth》Carrying the burden of the timely manner to play，At present in Beijing、Oriental satellite TV and youku, etc、The synchronous apparent music broadcast more than half。Integral style not so fashionable，Not so loud，Not so the lines gives prize，But with“The youth to go once”The concept is enough to trigger hot debate。“This is to consciously fell to the ground，Although and others said，This is ZhaoBaoGang play？What style big changed？But over the years didn't change is‘responsibility’，I won't go to take some boring ray play，God play。”ZhaoBaoGang helpless mixed with pride。

　　

“重走青春”的概念足够有话题 “ChongZou youth”The concept of topic enough

　　从《北京青年》开机之日起，赵宝刚想诠释的“青春重新走一回”的概念就很吸引人。赵导自称非常了解80后的心态，对于那些工作体面、收入尚可、生活稳定的年轻人来说，他们的惰性在不断地累积，安于现状，20岁就能看到50岁时的生活。但赵导认为，人在年轻时最不应该追求的就是稳定感。《北京青年》讲述的就是这么个故事。

from《Beijing youth》Boot date，ZhaoBaoGang want to interpretation“The youth to go once”The concept is very attractive。Zhao guide themselves very understand the mentality of after 80，For those who work decent、Income fair、Life stable young people，Their inert in constant accumulation，Be content with the status quo，20 years old can see 50 years old life。But zhao guide think，At a younger age the most should not pursue is stability。《Beijing youth》Tells is such a story。

　　四个堂兄弟，个个境况不同。大哥何东(李晨饰)20多岁就坐机关，每日喝茶看报，即将和相恋多年的女友领证结婚，然而“躁动的内心”和“安稳的环境”这俩“小人”总在“打架”，最终在领证当天提出和女友分手，理由是想重新走一回青春。二哥何西(任重饰)是位年轻的骨科大夫，前途无量，对工作很有热情，而且在相亲时遇到了心仪的女人……何西似乎没有抛下眼前重新体验青春的理由，然而在其他兄弟的撺掇下也稀里糊涂地上路了；老三何南(贺刚饰)回国创业，一时无门，随大溜儿地上路；老四何北(杜淳饰)游手好闲、无所事事，热烈响应大哥的提议。

Four Cousins，Each situation is different。Eldest brother HeDong(LiChenShi)More than 20 years old sat authority，Tea daily newspaper，Will and long-term girlfriend marriage license，however“Restless heart”and“Safe environment”The two“SIMS”Always in“fight”，Finally, in license was proposed and the day my girlfriend，Reason is to walk again once the youth。Two elder brothers to cease(Act the long)Is a young orthopaedic doctor，promising，To work very enthusiastic，And going on a blind date when he met the right woman……Cease seem to have no eyes behind the experience again the reason of youth，However, in the other brother's egg on next also muddleheaded ground on the road；Old three HeNa(HeGang act the role ofing)Home business，Up a，While son to hit the road；Old four any north(DuChun act the role ofing)idleness、idle，A warm response eldest brother proposal。

　　大哥何东虽是“青春重新走一回”的发起者，但他并不是赵宝刚最想批判的类型。“何西才是我要批判的，他代表着一类最不可能也最不该走的年轻人。按照惯性，何西的发展是修炼医术，结婚生子，当了骨科主任；另外一种状态，他辞职了，出去历练了两年，开阔了胸怀，打开了眼界，能力增长了，内心强大了，他再去应聘这家或别家医院，他能应聘不上吗？”如此假设是否过于理想化，忽略了当下社会即是关系网的现状？能力与位置不匹配的状况发生太多。赵导对此认为，“这种情况只会发生能力还不够、按部就班在熬生活的人身上。”

Eldest brother HeDong, though“The youth to go once”Promoter of，But he is not the type of ZhaoBaoGang want to criticism。“Cease is critical，He represents a kind of the most impossible and most young people shouldn't go。According to the inertia，Cease is the development of the medical practice，married，When the director of orthopaedic；Another state，He resigned，Out experience for two years，Open the mind，Opened the horizon，Ability increased，Inner strong，He go to apply for this or another hospital，He can apply for not？”Such a hypothesis is too idealistic，Ignore the current society is the current situation of the network？Ability and the position not matching condition happened too much。Zhao guide to think，“This kind of situation can only happen ability is not enough、Step by step in life through the man。”

　　采访中，赵宝刚虽多次提到“青春重新走一回”的概念，但他不希望观众曲解他的本意，也不是鼓励所有的年轻人抛下眼前，盲目游走。而是指当你对现在的工作没那么热爱，只是按照一种惯性在生活时，你是否可以考虑出去走走，或许会有完全不同的心态和历练。

interview，Although ZhaoBaoGang mentioned it many times“The youth to go once”concept，But he didn't want the audience distort his original idea，Also not encourage all the young man left eyes，Blind migration。But that when you present job not that love，But according to a kind of inertia in the life，If you can consider to go out for a walk，Perhaps there will be a completely different attitude and experience。

　　

故事欠缺的作品都有高风险 The story short works all have high risk

　　从早年的海岩剧系列，到一夜爆红的《过把瘾》、《永不瞑目》、再到近年的“青春三部曲”，赵宝刚经历了转型之困，但制作“青春系列”时，他始终坚守的想法是：这个戏会让看的人想想吗？如果想了，这部作品就是有价值的。

From early mare drama series，To night detonation red《visitors》、《You never》、In recent years to“Youth trilogy”，ZhaoBaoGang experienced the transition of trapped，But make“Youth series”when，He always stick to idea is：This play will let to see people think？If you want to the，This work is valuable。

　　“我以前的风格也不青春呀。在《给我一支烟》(2005年)后，我陷入了创作迷茫期，就在那期间，我有了做‘青春系列’的想法。突然有一天接到朋友电话，推荐一个叫《奋斗》的本子。我当时很怕是那种讲传统意义上的苦奋斗的戏，但对方说不太一样，是几个大学生毕业奋斗的故事，我觉得很牛，这个正是我要的东西。而且我坚持用这个名字，当时很多人反对。《奋斗》片子刚出来时，多少编剧骂呀，多少电视台都不要。北京台当时说《奋斗》是我们审片以来见得最差的片子，我说，不要钱白播；北京台说，那不行，会影响我们收视率。最后，北京台当时的副总编张强决定在‘十一’播，日常收视率是5.8及格，‘十一’3.8及格，结果第一天收视就7点多，第二天9点多。《奋斗》一下子成香饽饽了。”

“My former style also not youth ah。in《Give me a cigarette》(In 2005,)after，I sank into the creation period of confusion，In that period，I have to do‘Youth series’idea。Suddenly one day received friends phone，Recommend a call《struggle》book。I was very afraid that speak the traditional sense of bitter struggle of play，But the other said are not quite the same，A few students graduate struggle story，I feel very cow，This is what I want。And I stick with this name，At that time many people opposed。《struggle》Film just came out，How many writers scold ah，How many TV don't。Beijing news said at the time《struggle》Is our careful since the worst film piece see，I said，Don't money white sowing；The Beijing news said，That no，Will influence our ratings。finally，The Beijing news was the deputy chief editor b: mr.zhang qiang decision in‘eleven’sowing，Daily ratings is 5.8 to pass the exam，‘eleven’3.8 to pass the exam，Results the first day viewing is 7 o 'clock，The second day 9 point many。《struggle》Suddenly into the sweet pastry。”

　　《我的青春谁做主》和《北京青年》都是在延续《奋斗》的概念，三部戏可归结为一个主题“我的青春我做主”，三者对比，《奋斗》是最让人有新鲜感的，《北京青年》是话题性最强的。从《奋斗》开始，赵宝刚着重在剧的话题性和影响力上，用他自己的话形容是“责任感”，但赵导深知，任何不以故事为主的作品都是有风险的。"青春重新走一回’，这个概念足够了，如果把这个概念去掉，也可能跟大多数剧一样，狗屁不是。好多剧是你看完就完了，想都不会想。今天的电视剧想情节精彩太难了，毕竟已经写了30多年了。”这也是赵宝刚作品越来越“三贴靠”的原因：明星靠点、话题靠点、剧情靠点。如果换做是《永不瞑目》水准般的剧本，赵宝刚说9个主角会全用新人。

《My youth who family》and《Beijing youth》Are continues《struggle》concept，Three play can be summed up as a theme“My youth I make decision”，Three contrast，《struggle》Is the most let a person have the freshness，《Beijing youth》The strongest subject is sex。from《struggle》Began to，ZhaoBaoGang emphatically in the play the topic of sex and influence，With his own words describe is“responsibility”，But zhao guide knows，Any not the story primarily works are risky。"The youth to go once’，This concept is enough，If the removed the concept，Also may follow most play the same，Shit is not。A lot of drama is you finish reading it is finished，Want to won't want to。Today's TV drama to plot wonderful too difficult，After all, has written for 30 years。”This is ZhaoBaoGang work more and more“Three abutting”reason：Star on the point、Topic by point、Plot by point。If the change is《You never》Level of play，ZhaoBaoGang said nine leading role will use all the couple。

　　赵宝刚坦诚地剖析了《北京青年》的水准现状，“没有媚俗的东西，故事还可以看，中国观众对于接受通俗文化是有强大市场的。”

ZhaoBaoGang open analyses《Beijing youth》Level status，“No vulgar things，The story still can see，Chinese audience to accept pop culture is a powerful market。”

　　晨报记者 冯遐

Morning paper reporter FengXia

　　

人物手记 Character hand

　　

赵宝刚曾是悲催的北京青年 ZhaoBaoGang was sad reminders of the Beijing youth

　　赵宝刚，出生在北京南城，在很多场合都聊过自己年轻时曾是北京钢厂工人，后来踏入影视圈，当过演员、干过剧务，最后成为导演的经历。这段在外人听起来是坎坷，在自己看来却是财富的陈年旧事对赵宝刚的人生有何影响？“我今天之所以能想到这么拍电视剧，这些东西是跟我年轻时走的路有很大关系的。”

ZhaoBaoGang，Was born in south Beijing，On many occasions we talk about yourself when young was Beijing steel workers，Later into the arena，As an actor、Did the audience sitting，Eventually become a director experience。This section in a stranger sounds is bumpy，In his own it seems is the thing of the wealth of ZhaoBaoGang life have any influence？“Today I can think of this TV drama，These things are with when I was young path has a great relationship。”

　　赵宝刚年轻时没什么大理想，只是在当工人、演员、剧务时，他知道自己不想、也不会永远干这个。1984年演《四世同堂》出名后，有人找他演戏，他拒了，想干点别的，但干什么自己也不清楚，没什么目标。后来当剧务，经常挨骂，“有时候我会想我就一辈子干这个了吗？”在心情极为纠结和彷徨的阶段，赵宝刚很感谢家人的支持和朋友的鼓励，他们说出了藏在赵宝刚内心深处最隐秘地带的想法，“你当导演吧，你可以。”

ZhaoBaoGang young when nothing big ideal，Just when the workers、actor、When the audience sitting，He knows that he don't want to、Also won't always do this。In 1984《Four generations under》After famous，Someone is looking for his acting，He rejected the，Want to do something else，But do oneself also not clear，No goal。Later when the audience sitting，Often scolded，“Sometimes I think I will do this for a lifetime？”In the mood extremely entanglement and the loss of stage，ZhaoBaoGang appreciate the support of your family and friends encourage，They say the ZhaoBaoGang hidden in deep inside the most secretive zone ideas，“When the director, you，You can。”

　　从《渴望》(1990年)当导播、《编辑部的故事》(1991年)当执行导演……一步步踏上导演之路。后来还在某家影视公司当了三年副总，拉广告、谈业务、导戏，一个不落。在任职“副总”期间策划了《宰相刘罗锅》和《东边日出西边雨》两个剧本，业余时间学习财务管理，现在看来为鑫宝源的创办积累了很多经验，但当时只是无目的地学习。

from《desire》(In 1990,)When the director、《Story of editorial department of》(In 1991,)When executive director……Step by step on director road。Then in a home movie and TV company for three years as deputy，Pull advertising、Talk about business、Guide play，A fall。In office“deputy”Planning during the《Prime minister LiuLuoGuo》and《Sunrise east west rain》The two plays，Spare time to learn the financial management，Now it seems for xin treasure source to the foundation of accumulated a lot of experience，But at that time only no destination learning。

　　赵宝刚导演生涯遭遇的第一次重大打击是《皇城根儿》(1992年)，当时业界专家和媒体人士在宾馆里一呆三天，看片。“第一天吃饭时没人理我，第二天研讨会上一通儿痛骂，评价是前十集臭不可闻，我这脸都快成菜色了；突然又评价后十集是精彩绝伦。”赵宝刚这次经历的“冰火两重天”的经历让他现在都怵研讨会。

ZhaoBaoGang director career encounter the first major blow is《Imperial palace ribs》(In 1992,)，When the industry experts and media in the hotel a stay three days，light。“The first day when having a meal nobody reason I，The second day seminar on YiTongEr rant，Evaluation is the first ten set ChouBuKeWen，My face is fast into the dishes；Suddenly and evaluation after ten set is excellent。”ZhaoBaoGang the experience“Ice hot flame”Experience let him now Chu seminar。

　　但发生在赵宝刚身上的有关《皇城根儿》背后的故事更加悲催。当时因为剧组没钱、预算不够，剧中的道具都是从赵宝刚家现搬的，丁芯(赵宝刚妻子)出差回来，看到空落落的家傻眼了，床都不见了，连个睡觉的地儿都没有。

But ZhaoBaoGang body occurred in the relevant《Imperial palace ribs》The story behind the more sad reminder。Because at that time the have no money、Budget is not enough，The props from ZhaoBaoGang home now moved，Butyl core(ZhaoBaoGang wife)Back from a business trip，See the empty house was dumbfounded，Bed were gone，Even a sleeping place all have no。

　　类似的经历在拍摄《过把瘾》(1992年)时也发生过。有场戏是方言(王志文饰)和杜梅(江珊饰)吵架，杜梅抓起家里的瓶瓶罐罐就开砸……那些东西都是赵宝刚从自个家拿的、八一厂借的，在还道具时就一并还了，其中有一只大象造型的茶壶不见了。殊不知，这是丁芯哥哥送给妹妹的结婚礼物。丁芯当时就急了，说什么东西都可以不要但这只壶必须找回来，后来又去八一厂的道具库一通儿翻腾才找到。(冯遐)

The similar experience in shooting《visitors》(In 1992,)Also happened。A play is dialect(Ryohei decoration)And tall as dumay(JiangShanShi)quarrel，Tall as dumay grabbed home bottle container canister and then open to hit……Those things are all from ZhaoBaoGang from home take、BaYiChang borrowed，The property is also the together，One of the elephant formative teapot is missing。Little imagine，This is butyl core brother gave sister's wedding gift。Butyl core was nasty，Say what things can not but this pot must be back，Then go to BaYiChang props of the library YiTongEr billow to find。(FengXia)

　　结语：

epilogue：

　　《奋斗》、《我的青春谁做主》、《北京青年》，至此，赵宝刚的“青春三部曲”已经画上句号。“以我现有的水平和水准，在青春题材上暂时枯竭了，我找不到更适合这个时代的东西了，也可能是我没好好挖掘的缘故。下一部我想做一个平民的真实的一塌糊涂的作品，告诉穷人如何致富，可能会用记录式的拍摄方式。”

《struggle》、《My youth who family》、《Beijing youth》，So far，ZhaoBaoGang of“Youth trilogy”Have a picture。“In my current levels and level，In the youth theme temporarily dried up，I can't find more suitable for this time thing，May be I didn't have to dig's sake。A I want to do a civilian real mess works，How to tell the poor become rich，Might use recording shooting mode。”

　　(来源:北京晨报)

(Sources: Beijing morning post)