以写山东高密乡村形成鲜明文学风格的作家莫言11日获得诺贝尔文学奖。这是一次标志中国当代文学进入世界主流社会视野的重大文化事件，它也将为推动中国当代文学融入世界留下许多启示和思索。

To write shandong densified country form bright literature writer mo yan 11 won the Nobel Prize for literature.This is a mark of Chinese contemporary literature into the mainstream of society the world view of the major cultural events,It will also for promoting Chinese contemporary literature into the world leave many enlightenment and thinking.

　　毋庸置疑，中国已经拥有包括莫言在内的不少世界一流作家，但中国文学与世界的交流还存在着障碍。莫言此次获得诺贝尔文学奖是一次突破，但中国文学要真正走向世界依然任重道远，它必须善于触动灵魂、书写人性、摈弃浮躁、关注现实，还要通过翻译努力跨越文字和文化的围墙。

No doubt,China already has mo yan, including many world class writer,But Chinese literature and the world communication obstacles still exist.Mo yan the won the Nobel Prize for literature is a breakthrough,But Chinese literature to really move towards the world still shoulder heavy responsibilities,It must be able to touch souls/Writing human nature/Abandon impetuous/Attention to reality,Also through the translation efforts across the words and culture of the wall.

文学，应关注现实、书写灵魂 literature,Should pay attention to the reality/Writing soul

　　中国当代文学如何给世界带来更大贡献？

Chinese contemporary literature how to bring greater contribution to the world?

　　诺贝尔文学奖评委会赞扬莫言的文学作品发人深省。评论说，莫言“将现实和幻想、历史和社会角度结合在一起”。

The Nobel Prize for literature praise the mo yan of literature thought-provoking.Commented that,Mo yan"Will the reality and fantasy/History and social Angle together".

　　许多评论指出，莫言在《红高粱家族》《檀香刑》《生死疲劳》《蛙》等长篇小说中，以乡土中国为原型塑造出了一个充满生命张力、寓言式的而又充满深厚历史感的世界。

Many critics say that,Mo yan in the[Red sorghum family][Sandalwood punishment][Fatigue life and death][frog]In the novel, etc,In rural China as the prototype shaping a life full of tension/Fable type and full of deep history of the world.

　　《收获》杂志执行主编程永新说，莫言诡谲的想象力和旺盛的创造力令人惊叹。他更以持续30年的丰盛文学创作为世界提供了“中国经验”。

[harvest]Magazine executive editor ChengYongXin said,Mo yan perplexing imagination and exuberant creativity astounding.He is more to lasts 30 years of abundant literature creation is the world provides"China's experience".

　　莫言的想象力从来不脱离现实：获得茅盾文学奖的《蛙》通过一个乡村妇科医生来反思计划生育、代孕生子等社会问题；《檀香刑》通过描写暴力、酷刑和苦难，来警醒世人抑制欲望和邪恶的天性。

Mo yan's imagination never from reality:Get the maodun literature[frog]Through a village gynecologist to reflect on family planning/Surrogate son and other social problems;[Sandalwood punishment]Through the description of violence/Torture and suffering,To watch the world inhibition desire and evil nature.

　　莫言不回避黑暗和丑恶，他通过写作来解剖人类灵魂和社会，认为“只有跟恶和平共处，善和美才可以放出更加灿烂的光芒”。莫言还曾多次表示：“作家要写灵魂深处最痛的地方”。

Mo yan from dark and ugly,He through the writing to dissecting human soul and social,think"Only peaceful coexistence with evil,Good and can release more brilliant light".Mo yan also had repeatedly said that:"The writer to write the most painful soul place".

　　在巴金故居纪念馆副馆长、文学评论家周立民看来，“莫言的贡献在于，他从《红高粱》开始，就在寻求讲述中国历史与现实的方式。他始终没有从当代中国的现实中退场。”而缺乏对现实的关注，是不少中国当代文学作品的软肋。

In the former deputy director of ba jin memorial/Literary critics ZhouLiMin looks,"Mo yan's contribution is,He from[Red sorghum]Began to,In seeking about Chinese history and realistic way.He never from contemporary China's reality exits."And the lack of real attention,Is a lot of Chinese contemporary literary works of the soft rib.