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[社论]走出消费庸常,回归文学本真--亲民维稳网络舆情监测室
2012-10-16

  距离莫言获得诺贝尔文学奖一周不到,细心的民众一定可以发现,一场“莫言热”正在我们周围悄然弥漫。昨天,我们阅读莫言,莫言是我们的朋友、导师、偶像;今天,我们消费莫言,莫言是我们的商品、英雄、图腾。诺贝尔文学奖重新丈量了你我与莫言的距离,近是因为我们对文学的热爱仍在,文学的信仰与责任从未抛弃;远是因为奖杯吸引了无数陌生人,他们一同站在了莫言面前,阻隔了你我与莫言、与文学的距离。莫言获奖后,实有必要提出以下诸多问题:他将走向何方?我们对他的期待是什么?该如何看待中国文学?

Distance mo yan won the Nobel Prize for literature less than a week,Careful people can find,a"Mo yan hot"Are we diffuses sadly around.yesterday,We read mo yan,Mo yan is our friend/tutor/idol;today,We consumption mo yan,Mo yan is our goods/hero/totem.The Nobel Prize in literature to measurement you I and mo yan distance,Nearly because we love to literature is still in,Literary faith and responsibility never abandoned;Far because trophy attracted countless strangers,They were standing in front of him,Cut off your I and mo yan/The distance and literature.Mo yan after winning the award,Has to put forward the following problems:It would go after this?Our expectations is what?How to see Chinese literature?

  就在这些天,诺贝尔文学奖从未像今天这样鼓舞人心。沉寂的中国文坛自不必说,莫言获奖,无异于久旱逢甘霖,中国作家享受重逢,时间回到了上世纪80年代,回到了高密东北乡的土地与乡情,他们重温莫言的文学世界,回顾莫言的另一种人生;中国作家还享受鼓励,他们想象下一个莫言,庆幸莫言让世界了解了中国文学,期待莫言成为后来者走向世界的“护照”。

In these days,The Nobel Prize for literature never like today so encouraging.Silent Chinese literary field need not say oneself,Mo yan the,Was the long drought river-beds,Chinese writers enjoy together,Time back to the 1980 s,Back to the densified northeast township of land and nostalgia,They revive mo yan's literary world,Review of mo yan another life;Chinese writers also enjoy encourage,They imagine a mo yan,Rejoice, mo yan let the world know China's literature,Looking forward to mo yan become a successor to the world"passport".

  诺贝尔文学奖也从未像今天这样触目伤怀。过去我们所亟亟批评的话语方式正被部分人重拾,对莫言和中国文学的嘉奖试图超越文学本身,莫言被赋予其个人甚至文学都不可承受的时代嘱托。

The Nobel Prize for literature never like this complaint meets the eye.In the past we are in a hurry criticism utterance patterns are being part of the people to regain,To mo yan and Chinese literature awarded trying to transcend literature itself,Mo yan is given its individual even literature are not to bear times entrust.

  而更进一步,附加在莫言身上的恶俗消费亦让人汗颜。童年的莫言“掉过粪坑,相貌奇丑,喜欢尿床”;“高密火烧”和烤鸡被标注“莫言故乡”,与莫言无关的产品也牵强附会,“送老师”、“送领导”的广告被抛弃,代之以“送莫言”。莫言个人的身价亦在暴涨:手稿一夜飙升百万,升级成“中国最贵作家”;传言《百家讲坛》力邀莫言加盟,开价750万元的天价;以莫言旧居为基础,红高粱文化品牌开发已在推进中;某白酒网站也不甘落后,在其软文中称,“莫言作品多有对中国白酒的描写,可以说,白酒是他文学作品里的一种文化象征。”

And further,In addition to mo yan body flashily consumption also let people blush with shame.Childhood mo yan"Dropped cesspit,Looks odd ugly,Like wet the bed";"Densified fire"And the roast chicken was mark"Mo yan home",Mo yan and independent of products is also far-fetched,"Send teacher"/"Send leadership"Advertising abandoned,Instead of"Send mo yan".Mo yan personal social status also jumped in:The manuscript night one million soared,Upgraded to"China's most expensive writer";rumours[Lecture room]Mo yan invited to join,Offer the high price of 7.5 million yuan;Mo yan is based on old home,Red sorghum culture brand development has set up a file in the development of;A liquor site also unwilling to lag behind,In its soft this paper says,"There are many mo yan works to describe the Chinese liquor,Can say,Liquor is in his literary works is a kind of cultural symbol."

  一切看似都在变化,一切却又毫无变化。这是一场荣耀的狂欢,却也是一次失落的见证。荣耀刚过,我们难免要回归庸常,走向俗套,踏入陷阱。难怪有网友大胆预测“莫言必登央视蛇年春晚”。文学家莫言正被搬上舞台,痛心的是,我们消费的不是文学。一个被期待赋予永恒价值的文学家,正被强行拉进偶像的流水线,他正在被加工,被装扮,被想入非非。我们从未像今天这样离文学这么近,也从未像现在这样离文学那么远。

All seem to have changed,All the but again there is no change.This is a glorious carnival,But is also a missing witness.Glory just after,We is inevitable to regression addition,Towards a rut,Step into the trap.It is no wonder that netizens bold prediction"MoYanBi CCTV the year of snake's established".Astronomers MoYanZheng onto the stage,Harrowing is,We consumption is not literature.A is expected to give the eternal value of the writer,Are being forced to pull into the idol of the assembly line,He is being processing,Is dress up,Was fantastic idea.We never like today so close from the literature,Never like this from literature so far.

  无意贬损这位诺贝尔文学奖得主,相反,清醒的恰恰是莫言本人。对于自己获奖的原因,莫言说,“最重要的是我作品的文学的素质”;对于获奖的价值,莫言说,“得奖不代表我就是最好的作家”;对于中国文学,莫言说,“中国有很多优秀的作家”;对于文学创作,莫言说,“站在人的角度上立足于写人”;对于作家的责任,莫言说,“一个作家应该立足写作,应该包含各种各样的社会问题。”

Has no intention of dispraise the Nobel Prize winner,instead,Clear exactly is mo yan I.For the reason of his prize,Mo yan said,"The most important is the quality of my work of literature";For the value of the prize,Mo yan said,"Winning doesn't mean I am the best writer";For Chinese literature,Mo yan said,"China has a lot of good writer";For literary creation,Mo yan said,"Standing in the point of view of people on written based on the people";For the writer's, duty,Mo yan said,"A writer should be based on writing,Should contain all kinds of social problems."

  一个时代有一个时代的文学,一个时代有一个时代的作家,作家的价值离不开作品。作家莫言在他的文学巅峰,不忘清醒认识自我,仍然皈依文学价值,这种回归,就像麦子对土地的眷恋,果实对种子的忠贞,飞鸟对天空的守望。它是作家应有的风范,亦是作家基本的觉悟。

A time when there is a literature of the time,A time when there is an era of writer,The value of the writer from work.Writer, mo yan in his literature peak,Don't forget the self awareness,Still convert to literature value,The regression,Like the wheat to the land of be sentimentally attached to,Fruit on the loyalty of a seed,The birds of the sky to watch.It is a writer should have demeanor,Is also the writer basic consciousness.

  莫言在坚守,却也是在拷问。文学何以变异,作家为何浮躁,而我们的土地为何也在排斥文学的本真。莫言获奖,时间进入下一个轮回,忘却那些不该有的自负或伤痛吧,人生短暂,而文学之树必将常青。成群结队的文学巨人,明星闪耀的中华文明,让我们以惯常的仰视姿态,回眸历史的闪耀瞬间,丈量我们的土地以及我们的心灵与文学本真的距离。

In mo yan to,But in torture.Literature why variation,Writer why fickleness,And our land why also in the rejection of the literature nature.Mo yan the,Time into the next cycle,Forget those who ought not to some conceit or pain it,Life is short,And the literature of evergreen trees will.The crowds of literary giants,Stars brilliant Chinese civilization,Let us with typical inverted attitude,Looking back the history of instant shine,Measurement of our land and our hearts and literature natural distance.



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